The Studio: Nefeli Skarmea and Polly Brannan

20 Feb 2013 - 2:00 PM to 3 Mar 2013 - 5:00 PM

The Studio: Nefeli Skarmea and Polly Brannan

Admission Free

During the exhibition Rosemarie Trockel: A Cosmos, Berlin-based dancer Nefeli Skarmea and artist and educator Polly Brannan took up residency within the Sackler Centre of Arts Education at the Serpentine Gallery.

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Inspired by the objects and artworks in the exhibition as well as the concept of 'a cosmos', participants were invited to alter their surroundings through moving and making.

This interdisciplinary residency included a presentation by Skarmea and Brannan on their current practices; a series of practical, pre-booked workshops; a family day and public drop-in discussion seminars as part of the Saturday Seminar programme.

The Studio was supported by the Goethe-Institut London.

Schedule of activities:

Wednesday 20 February, 2pm
The Studio residents Nefeli Skarmea and Polly Brannan presented and discussed their practices and the aims of their collaboration at the Serpentine Gallery.

Saturday 23 February, 3pm
Claire Feeley and Lucia Pietroiusti, Assistant Curators at the Serpentine Gallery discussed the exhibition Rosemarie Trockel: A Cosmos, the residency project and the Sound Series introduction to the exhibition by Dominic Eichler.

Monday 25, Tuesday 26, Wednesday 27 February and Friday 1 March
Morning and afternoon workshops with pre-booked groups

Saturday 2 March, 3pm
Saturday Seminar: The Thinking Body: A Cosmos by Nefeli Skarmea and Polly Brannan.
The Studio residents Nefeli Skarmea and Polly Brannan discussed bodies, creatures, movement and dance in the context of Rosemarie Trockel's exhibition at the Serpentine Gallery. Drawing the series of workshops to a close, Skarmea and Brannan addressed the questions raised by Trockel's work as well as the role of 'audience member' and 'participant' in the exhibition space.

Saturday 2 March, 4-6pm
Nefeli Skarmea and Polly Brannan led a drop-in workshop about movement, inspired by Trockel's exhibition. 

Sunday 3 March, 12-5pm
Deloitte Family Day: Creative Creatures. Families were invited to join Polly Brannan and Nefeli Skarmea in exploring the natural world through play and movement, in response to the exhibition Rosemarie Trockel: A Cosmos.

Nefeli Skarmea (born Athens, Greece) is based in Berlin and studies Cultures of the Curatorial at the Academy of Visual Arts in Leipzig. A dancer with the companies Tanztheater Nuremberg, Stammer Productions/Colette Sadler and Alias/Guilherme Botelho, recent productions include Sideways Rain (2010-2013, touring). Upcoming projects include Martin Creed's Ballet Work No 1020. In 2010, Nefeli began to collaborate with choreographer Sergiu Matis and visual artist Ladislav Zajac on the production of Doom Room, a movement research project which brought her to residencies in LaborGras, Berlin and Kinitras Studio, Athens. In her curatorial research, Nefeli is interested in the relationships between movement, dance and the gallery space.

Polly Brannan, an artist and educator, is Education Curator at the Serpentine Gallery. Since graduating with a BA Fine Art in 2003, Polly has produced exhibitions, talks, programmes, happenings, workshops and interventions at venues including Barbican, London; Liverpool Biennial; Lisbon Experimenta Festival; Turner Contemporary, Margate; Tate Britain, London; Studio Voltaire, London and City of London Festival. Polly was a member of artist and architect collective public works from 2005-2011 and is co-founder of London-based artist collective Avant Gardening. Commissions include Space Studios, London; Stanley Picker Gallery, London; the Delfina Foundation, London and Camden Arts Centre, London.

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Related Events / Exhibitions

Exhibition

Rosemarie Trockel: A Cosmos

13 Feb 2013 to 7 Apr 2013

Rosemarie Trockel has long been admired for her highly independent and influential practice. Central to A Cosmos were a number of core works by the artist, including new works never seen before in the UK, and arranged around these in a constellation according to type and theme were artefacts, both natural and human.

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