Gustav Metzger: Mass Media: todayandyesterday.co.uk

Gustav Metzger: Mass Media: todayandyesterday.co.uk

Launches October 18th

Gustav Metzger’s first digital work Mass Media: todayandyesterday.co.uk, co-commissioned by The Serpentine Galleries in partnership with The Space, coincides with Extinction Marathon: Visions of the Future, which Metzger has both inspired and co-curated. It follows in the footsteps of his Serpentine exhibition Decades 1959-2009 (2009), and 100,000 Newspapers (2003), a ‘public-active installation’ at T1/2 Artspace, London comprising the artist’s montage of cuttings placed under headings such as ‘EXTINCTION’, ‘WORK’ and ‘BIOTECHNOLOGY’.

Metzger’s digital commission will build on Mass Media: Today and Yesterday, a long standing and ongoing work, composed of a participatory installation involving the collection of thousands of newspapers, currently installed as Facing Extinction, an exhibition at Herbert Read Gallery, UCA (University for the Creative Arts), Canterbury. Over the course of the two days of the Extinction Marathon, a special live transmission will take place from Facing Extinction on www.todayandyesterday.co.uk - forming a connection between the two physical sites of the Serpentine Galleries in London and Herbert Read Gallery, Canterbury.

Thousands of newspapers will be found stacked at the heart of the gallery space, as sourced by staff and students from UCA and partner institutions. Throughout the two day broadcast, Fine Art students from Farnham and Canterbury will be found in an act of dynamic activation of Metzger’s work, selecting, cutting and collaging articles across the gallery walls in response to the subject of EXTINCTION. The online transmission highlights Mass Media: Today and Yesterday as an installation in a continual state of flux and growth; with each day punctuated by a frozen panorama of the actions that preceded it.

Gustav Metzger’s digital commission is one of several online works commissioned in partnership with The Space. The commissions will be hosted through The SPACE, alongside EXTINCT.LY, which deploys a digital map of the world’s surface to assemble the contributions of all participants in this years Extinction Marathon.

Gustav Metzger (b. 1926), best known for his concept of auto-destructive art elaborated in his 1959 manifesto, considers the work of art as a form of political consciousness-raising - he has addressed the troubles in Northern Ireland, the Israeli-Palestinian conflict, terrorist bombings and global warming.

Facing Extinction conference and exhibitions at  www.gustavmetzgerucafarnham.wordpress.com

Gustav Metzger (b. 1926), best known for his concept of autodestructive art elaborated in his 1959 manifesto, considers the work of art as a form of political consciousnessraising he has addressed the troubles in Northern Ireland, the Israeli-Palestinian conflict, terrorist bombings and global warming.

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Gustav Metzger mass media image 1

Gustav Metzger

2014
Gustav Metzger, Mass Media:Today and Yesterday 1972/2014

Installation view in the Centre of Contemporary Art Znaki Czasu, Toruń, 2014, photo:Wojciech Olech

Christine Koenig Gallery, Vienna
Gustav Metzger 2009

Gustav Metzger

Gustav Metzger

2009
Historic Photographs: Kill the Cars, Camden Town, London 1996 1996 / 2009

Photograph, car and audio, dimensions variable

Installation view from the exhibition Gustav Metzger: Decades 1959–2009, Serpentine Gallery, London (29 September - 8 November 2009)

Courtesy of the artist and Andrew Testa