General Ecology
General Ecology encompasses myriad convenings, networks, infrastructural and long-term research projects which hold ecology and the environment at their core. It asks how environmental subjects and methods can be embedded throughout Serpentine, from the organisation’s structure to its programming.
In 2014, Serpentine collaborated with artist Gustav Metzger on the Extinction Marathon. General Ecology was founded in 2018 to nurture Serpentine’s ongoing engagement with ecology, climate breakdown, more-than-human consciousness, and complexity. Thinking ecologically both within the Galleries and across a network of individuals, organisations and wider contexts, General Ecology takes a speculative and active stance towards embedding alternative narratives and deep ecological principles into the everyday.
Inviting artists, with their capacity to imagine and transform, into the core of scientific and organisational systems, General Ecology conducts research across the boundaries that have traditionally separated vegetal, human, non-human, animal, and artificial intelligence in Western science. General Ecology’s approach brings together practitioners from the fields of art, design, science, literature, and anthropology, among many others, to rethink modes of production and collaborate on publications, exhibitions, study programmes, radio, symposia, and live events, as well as organisational transformations.
Behind the scenes, General Ecology convenes a network of individuals and organisations across disciplines to prototype artist-led, environmentally driven systems change and bridge the knowledge and literacy gaps between culture, creativity, science, advocacy, and ecology.
Thinking ecologically both within the Galleries (which are uniquely positioned within Kensington Gardens), across a network of individuals and organisations, as well as in a wider context, General Ecology works on myth-making and foundational narratives. Inviting artists, with their capacity to imagine and transform, into the core of scientific and organisational systems, General Ecology takes a speculative, as well as active, stance towards embedding deep ecological principles into the everyday. Purposely conducting research across the boundaries that have traditionally separated vegetal, human, non-human animal and artificial intelligence in science, the project proposes a practice of entangled interconnections and symbioses: co-evolution over competition.
Since 2018, General Ecology has presented the symposium series on interspecies consciousness, The Shape of a Circle in the Mind of a Fish, as well as the Serpentine Cinema programme On Earth and several episodes of The Serpentine Podcast: On General Ecology. A number of publications, reading groups, international study programmes and residencies are in preparation, including the reader Microhabitable (edited by Fernando García-Dory and Lucia Pietroiusti, and published in collaboration with Matadero, Madrid and INLAND/Campo Adentro), as well as the reader More-than-Human (edited by Andrés Jaque, Marina Otero Verzier and Lucia Pietroiusti).
In 2020-2022, much of the General Ecology’s processes and infrastructure is supporting Back to Earth, the Serpentine’s 50th anniversary project, dedicated to the environment.
The General Ecology Network, currently in development, convenes 100+ individuals and organisations across disciplines to prototype artist-led, environmentally driven systems change and bridge the knowledge and translation gap between culture, creativity and ecology.
Curated by:
The General Ecology Project is curated by Lucia Pietroiusti (Curator, Live Programmes and General Ecology) with Holly Shuttleworth (Producer) and Kostas Stasinopoulos (Assistant Curator, Live Programmes).
The Shape of a Circle in the Mind of a Fish is co-curated with writer and editor Filipa Ramos. Visual identity by artist Giles Round.