The Magazine Serpentine North Gallery 28 September 2024, 12-5pm Price: £20, £15 conc.

We have a limited number of free tickets available for anyone who cannot pay the ticket price, please email: [email protected] for more information.

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Please arrive on site for 11.45am.

Join us for Seeds, an extended lunchtime programme addressing worlding through the lens of ecology, part of the Infinite Ecologies Marathon.

Continuing the legacy of The Magazine Sessions, Seeds delves into the multifaceted significance of seeds as vehicles for world building. Beyond their role in food production, seeds carry history, memory and serve as potent metaphors for growth, ideas and exchange.

This extended lunchtime series aims to create space to discuss the complex narratives embedded within seeds and their ecological and imaginative potential. Seeds invites participants to envision new commons and methods of knowledge exchange through the embodied experience of communal eating, sharing dishes created in close collaboration with the artists. We invite diners to engage with seeds as nourishment and a catalyst for critical dialogue.

Seeds will facilitate four artist-led activations at a communal table to explore the revolutionary potential of food in reshaping our relationships to our environments and each other. The participating artists, David Blandy, Exodus Crooks, Lucia Pizzani and Jumana Manna, were invited to work with chef Moonhyung Lee, Sous Chef at the world’s first zero-waste restaurant, Silo, to develop dishes to complement their contributions. Remaining committed to Serpentine’s artist-led approach and the idea that knowledge can be produced and consumed in manifold ways, audiences will enjoy these dishes during the artist presentations, ingesting not only information but food in live activations that remove the mind/body barrier. The artists in Seeds will explore some of the many methods of world-building, and food is appreciated as a means of collectivity, taking care of each other and sharing, as well as a means of consuming knowledge to imagine new futures.

Allergens are listed below each artist contribution in the schedule of events. Please note that due to the nature of this programme we are unable to accommodate individual dietary restrictions. If you have any questions or wish to know more about dishes in advance of the event to check for allergens, please email [email protected]

Schedule

Please arrive by 11:45

12:00: Introductions

12:15: Introduction by chefs Moonhyung Lee and Ryan Walker

12:30-13:15 Exodus Crooks

Participants are invited to select their own bowl to eat from, thinking about weight, texture, and the conscious or subconscious choices we make in selecting our favourite dish to eat from. The idea of experiencing or world-building through feel and other senses will continue throughout the session as guests engage with a dish that consists of a range of complex textures. To accompany the meal, Exodus will present a meditative piece of writing and sound titled Break Bread with Me: Part 2. The artist will then facilitate a ‘breaking of bread’ with the audience, informally discussing the performance, food, fellowship and ‘feeling our way through this world’.

Please note that this contribution includes explicit language.

Allergen information: This dish contains gluten and dairy.

13:30-14:15 Lucia Pizzani

Venezuelan artist Lucia Pizzani will share her research into creational myths and symbolic stories around corn in Mesoamerican cultures. Corn often appears as both a symbol and tool in Pizzani’s sculptural work and as part of her presentation for Seeds, she will present La que viste la Piel (The one who wears the skin), a video work about the Xipe Totec god of life and the ritual that marked the start of the harvest corn by the Mexicas. Audience members will also have a chance to engage with Pizzani’s sculptural practice as we use corn to impress textures in clay. Special thanks to the Archivo Lares.

Allergen information: This dish contains dairy.

14:30 – 15:00 David Blandy

Audiences are invited to join Blandy in an immersive experience as he demonstrates his new tabletop role-playing card game, Alien Pastoral: The Strain. This worlding game delves into the intriguing and often blurred intersections of agriculture, technology, and capitalism. The audience will become involved in a race to engineer a new plant strain within a biological research station, amongst seedbeds, orchards, and laboratories, as the taste and texture of food becomes integral to a journey through an improvised narrative, and asks, “how do we embrace the change that is necessary for us all to survive?” The game challenges us to discover the resilience of both the seeds we cultivate and ourselves in this complex and dynamic world.

Alien Pastoral: The Strain is a participatory event which involves complex themes, narratives and storytelling; including material around body horror, isolation, loss of autonomy and trauma.

Allergen information: This dish contains gluten and dairy.

15:15 – 16:30 Jumana Manna

Jumana Manna’s feature film Wild Relatives traces an incredible story of biodiversity and resilience in the face of war and climate change. Deep in the earth beneath the Arctic permafrost, seeds from all over the world are stored in the Svalbard Global Seed Vault to provide a backup should disaster strike. In 2012 an international agricultural research centre was forced to relocate from Aleppo to Lebanon due to the Syrian Revolution turned war and began a laborious process of planting their seed collection from the Svalbard back-ups. Following the path of this transaction of seeds between the Arctic and Lebanon, a series of encounters unfold a matrix of human and non-human lives between these two distant spots of the earth. Wild Relatives captures the articulation between this large-scale international initiative and its local implementation in the Bekaa Valley of Lebanon, carried out primarily by young migrant women. Wild Relatives patiently teases out tensions between state and individual, industrial and organic approaches to seed saving, climate change and biodiversity, witnessed through the journey of these seeds.

Allergen information: This dish contains gluten and garlic.

The Infinite Ecologies Marathon is a long durational project that looks at the world-building potential of culture in the face of ecological destruction. Committed to working towards planetary thriving, this interdisciplinary series centres artist-led reimaginings for environmental action.

Ecologies is Serpentine’s new interdisciplinary department, dedicated to developing a holistic, flexible and adaptive approach to embedding environmental purpose throughout Serpentine’s programmes, infrastructure and networks. Our mission is to place culture at the core of environmental efforts, demonstrating how environmental commitment can steer the cultural sector. Ecologies emerged from the insights gained through the General Ecology project and Back to Earth.

 

BSL interpretation is available upon request. Please get in touch at [email protected] if you would like to request this.

 

Artist Bios

David Blandy (he/him) is an artist examining global structures of control and networks of resistance, in areas that range from ecology, history and science to arenas of play. He makes videos, games, sound and ephemera, deconstructing forms to put them back together again. He searches for meaning in cultural life, an expanded form for auto-anthropology, sifting through multiple forms of archive, from historic texts to academic archives, archaeology and ecological theory, twitch streams and film archives, Blandy weaves poetic works that explore the complexities of the contemporary subject. He builds complex stories that sketch out a future of interdependence, through visual poetry and immersive play.  

He has exhibited & performed at venues nationally and worldwide, with solo shows at John Hansard Gallery, Southampton; Towner Gallery, Eastbourne; Focal Point Gallery, Southend-on-Sea; The Baltic, Gateshead; Turner Contemporary, Margate; Spike Island, Bristol; The Exchange, Newlyn; Künstlerhaus Stuttgart, Germany. Blandy has also exhibited in museums internationally including at 21st Century Museum of Contemporary Art, Kanazawa; Art Tower Mito, Tokyo; Kiasma Contemporary Art Museum, Helsinki; Tate Modern, London; & MoMA PS1, New York. 

Exodus Crooks (they/them) is a British-Jamaican multidisciplinary artist and educator, interested in self-determination and how it is steered by religion and spirituality. Informed by a fractious domestic life, their practice is auto ethnographical and exists in the orbit of their educational role where they work to reimagine Western pedagogy. Their art is research focused and follows the lead of the many radical Caribbean writers and thinkers advocating for indigenous ways of living. Exodus is currently experimenting with gardening, text, filmmaking, and installation to better understand indigenous thought and tend to the breaks that occur in the human experience.   

Exodus serves on a regional arts advisory board and a national artists council that advocates for the development and protection of artists and has previously exhibited and worked with Ikon Gallery, the International Curators Forum, iniva, Freelands Foundation, LUX Scotland and the National Gallery in London. They are proud to be based in heart of the Midland’s vibrant art community, working closely with local galleries and organisations such as Grand Union, Vivid Projects, The New Art Gallery Walsall and Wolverhampton Art Gallery. 

Jumana Manna (b. 1987, she/her) lives and works in Berlin, Germany. Manna’s work explores how power is articulated, focusing on the body, land and materiality in relation to colonial inheritances and histories of place. Through sculpture, filmmaking, and occasional writing, Manna deals with the paradoxes of preservation practices, particularly in archaeology, agriculture and law. Her practice considers the tension between the modernist traditions of categorisation and conservation and the unruly potential of ruination as an integral part of life and its regeneration.  

Manna’s work is held in significant public and private collections internationally, including MoMA, New York; MCA Chicago; Centre Pompidou, Paris; Hessel Museum of Art, Annandale-On-Hudson; Museo Nacional Thyssen-Bornemisza, Madrid; Fondazione Sandretto Re Rebaudengo, Turin; Carre d’art, Nîmes, France; National Museum of Norway, Oslo; and Sharjah Art Foundation, UAE. 

Born in Caracas and based in London, Lucia Pizzani’s (she/her) expressive practice involves the body and self always informed by materiality. One of her core concerns is the interrelationship between narratives of women in history and processes of metamorphosis in the natural world. She works across a variety of media – including photography, ceramics, videos, drawings, performances and installations. Having worked as part of the environmental movement in Venezuela for many years, she has always incorporated ecological elements into her artwork.  

Her work is part of the TATE Collection, Magasin III Museum for Contemporary Art (Stockholm), Essex Collection for Art from Latin America ESCALA and the Colección Patricia Phelps de Cisneros (CPPC) amongst others. Recent exhibitions, residencies and commissions include El Cercado Ceramic school (Isla de Margarita, Venezuela), the Harewood Biennial (Leeds, UK), Planet B Climate Change and the new sublime, curated by Nicolas Bourriaud at Palazzo Bolanni (Venice), Peckham24 (London), Casino Luxembourg (Luxemburg), TEA Museum (Tenerife), Casa Wabi and the Puerto Escondido Botanical Garden (Oaxaca, Mexico), LaunchPad Lab (Charente, France) and Hacienda La Trinidad Art Centre (Caracas). She is a studio artist at Gasworks (London). 

Event Credits

Kitchen/Back of House: Moonhyung Lee, Ryan Walker, Steven Lickley, Johnnie Barrowcliff, Eddy Tejada  

Front of House: Sophie Black, Katya Lukina, Natalie Candlish 

Seeds is curated by Daisy Gould, Assistant Curator, Live Programmes, and Lucia Pietroiusti, Head of Ecologies, with support from Eva Speight, former Curatorial Assistant, Live Programmes. 

Produced by Isobel Peyton-Jones, Producer, with support from Maya Baker, Event Sales Manager.

The Infinite Ecologies Marathon is curated by Hans Ulrich Obrist, Artistic Director, Lucia Pietroiusti, Head of Ecologies, Kostas Stasinopoulos, Curator, Live Programmes, and Daisy Gould, Assistant Curator, Live Programmes 

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