Drawing on his personal experiences as a London-based artist who spent his formative years in the north of England, Leckey returns frequently to the themes of desire and transformation. The artist's fascination with the affective power of images is another recurring theme. Meticulously sourced and reconfigured archival footage is a predominant feature of some of his best-known works.
Fiorucci Made Me Hardcore (1999) is a seminal exploration of the history of underground dance culture in the UK from the mid-1970s to the early 1990s. Through the brands of clothing they wear, the way they dance and the drugs they take, the clubbers depicted seek a state beyond the mundanity of their daily existence.
In the recent performance piece GreenScreenRefrigeratorAction (2010), Leckey looks to communicate the inner life of a 'smart' fridge - one that keeps an electronic tally of its contents - and to render audible its 'voice'. In his bid to become one with the appliance, the artist inhaled refrigerator coolant and draped himself in a green cloak that, at a certain point in the performance, allowed him to morph into the green-screen backdrop against which the fridge was set. Advancing the notion that we can be in constant communication with every aspect of our environment, that everything feels alive, Leckey's universe is mediated on multiple levels.
For BigBoxStatueAction (2003-11), Leckey places one of his sound systems 'in conversation' with a modernist sculpture. In order to elicit a response from the sculpture, Leckey serenades it with a sound piece created from sampled music and archive material. If the community of clubbers depicted in Fiorucci Made Me Hardcore share a group mentality and the 'smart' fridge of GreenScreenRefrigeratorAction is an appliance with a mind of its own, in BigBoxStatueAction Leckey attempts to coax the sculpture to reveal its thoughts.