Ambika P3, 35 Marylebone Rd, London NW1 5LS 5-24 April 2025 Free
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Serpentine is pleased to present a new chapter of the Court for Intergenerational Climate Crimes (CICC), titled The British East India Company on Trial, a collaboration between academic, writer, lawyer and activist Radha D’Souza and artist and propaganda researcher Jonas Staal.

Opening programme: 4th April, 6-8pm

CICC Hearings (see detailed schedule below)

    • Hearing 1 – Saturday 5 April, 11:00-14:45
    • Hearing 2 – Saturday 5 April, 15:45-19.30
    • Hearing 3 – Sunday 6 April, 13:00-16:45

Exhibition: Thursdays-Sundays, 1-6pm, until 24th April

The Court for Intergenerational Climate Crimes (CICC) is a project by Radha D’Souza and Jonas Staal that stages public hearings in immersive installations functioning as a court, to prosecute intergenerational climate crimes committed by states and corporations acting together. These hearings address crimes of the past, present and future, reflecting the intergenerational impacts of climate crimes on ecologies and communities.

This newly commissioned chapter of the CICC consists of a specially appointed court constructed within the former concrete hall of Ambika P3 in London. It was in London that the East India Company was founded in 1600, and where the corporate entity would subsequently shape the city in its own interests and image. The court will interrogate witnesses regarding the crimes committed by the British East India Company, highlighting the interconnectedness of colonial and climate crimes that continue to shape our devastating present and future.

Non-human agents will act as evidence and witnesses in the court, in this case in the form of plants that played a pivotal role in the colonial and industrial projects of the British Crown and the East India Company. The audience present will have the task to act as public jury members.

Putting the British East India Company on trial, 425 years after its founding and 168 years after its dissolution in 1857, expands notions of intergenerational justice. It raises questions about reparations for crimes that transcend generations and examines how dissolved entities, like the EIC, endure as legal, institutional, and ideological frameworks for extractive capitalism and imperialism, perpetuating ecological collapse.

Following the public hearings, Ambika P3 will host an installation with selected materials from the tribunals in combination with the CICC School: an ongoing programme of lectures, workshops, screenings and trainings to deepen the relationship between artistic and legal imaginaries in the struggle for climate justice.

 

Please note, hearings and opening programme are free, but booking is required. As audiences act as a public jury for the hearings, attending a hearing commits you to stay for the full session, please refer to the schedule below.

 

Schedule

Saturday 5 April, 11:00 – 14:45

Case I: The East India Company and the British Crown: Partners in Crimes Against Ecologies and Communities

The first session of the CICC appointed Special Court on the East India Company will hear evidence on the ‘Company Raj’ – the rule of the East India Company and the British Crown in South Asia and elsewhere. This era served as the launching pad for colonial crimes against ecologies and cultures around the world.

Witnesses will present evidence on the continuation of the policies and practices of the Crown-Company alliance by numerous later-day corporation-state alliances that have expanded and that continue to commit crimes against ecologies and communities globally.

The Advocate-Prosecutor will present expert evidence on the legal, institutional, policy and ideological factors that have enabled corporate-state alliances in the past and present to perpetuate crimes against ecologies and communities globally.

 

Saturday 5 April, 15:45 – 19:30

Case II: The Indigo Trade, the East India Company and the British Crown: Establishing Agribusiness, Destroying Interdependent Ecologies

Witnesses will present evidence on the indigo trade, one of the most profitable trading ventures of the East India Company that brought wealth and prosperity to Britain. Witnesses will focus on forced agricultural practices introduced by the Company. In addition witnesses will provide evidence on contemporary agribusiness to show how the practices of the East India Company-British Crown alliance have expanded and deepened around the world. The Advocate-Prosecutor will provide expert evidence on how the laws, institutions, policies and practices established by the Company-Crown collaborations in the past continue on expanded scales in new forms to cause devastations in the present with impacts on the future.

 

Sunday 6 April, 13:00 – 16:45

Case III: Trading with People’s Lives: East-India Company, the British Crown and the Violent Severance of Land-People Relationships

The CICC tribunal will hear evidence on the East India Company’s crimes committed in collusion with the British Crown, focussing on forced and indentured labour and its impacts on land-people relations. Witnesses will present evidence detailing the transformation of slave trade into the indentured labour systems and its impacts on agrarian communities and the environment, notably deforestation and monocropping, in both home and host countries. In addition evidence will be presented on the continued exploitation of labour around the world by present day states and corporations and the impacts of extractivism on communities and environment including involuntary migrations and climate crises.

The Advocate Prosecutor will show how the laws, institutions, policies and practices established by the East India company and the British Crown became vectors for comparable practices today and their implications for future.

 

Following the hearings, from 7 April the CICC Court will transition into the CICC School, which will host an ongoing series of public programmes involving activists, artists and academics focussing on the role of alternative artistic and legal imaginaries in climate justice struggles.

Court for Intergenerational Climate Crimes (CICC): The British East India Company on Trial

A project by Radha D’Souza and Jonas Staal

Commissioned and produced by Serpentine Ecologies

In partnership with Framer Framed, Amsterdam (long term partner), Law Development & Conflict Research Group, CREAM, Ambika P3, University of Westminster, Creative Scotland, Irish Museum of Modern Art (IMMA) and Create Ireland.
With special thanks to Mondriaan Fund.

Curated and Produced by: Lucia Pietroiusti, Daisy Gould, Isobel Peyton-Jones, Serpentine, with Eva Speight

Research Assistants: Daniel Voskoboynik and Muhammed Ahmedullah

Coordinator and Producer, Studio Jonas Staal: Nadine Gouders

Architect: Paul Kuipers

Graphic design: Remco van Bladel

Photo and video documentation: Ruben Hamelink

Construction, Studio KunstWerk: Michael Klinkenberg and Niklas van Woerden

An Ecological Futurisms initiative at CREAM, Centre for Research and Education in Arts and Media, University of Westminster. Led by Neal White, Matthias Kispert, Roshini Kempadoo

Venue managers, Ambika P3: Niall Carter and Eleftherios Dimoulias

The inaugural edition of CICC (Amsterdam, 2021) was commissioned by Framer Framed, Amsterdam. The CICC – The Law on Trial (Seoul, 2022) was produced by Drifting Curriculum and Arts Council Korea (ARKO) and co-produced by Framer Framed, Amsterdam. The CICC – Extinction Wars (Gwangju, 2023) was co-commissioned by the Gwangju Biennale Pavilion Project and Framer Framed, Amsterdam, hosted by Gwangju Museum of Art in partnership with Arts Council Korea (ARKO), the Ministry of Education, Culture and Science (Netherlands), Amsterdam Fund for the Arts (AfK), the Embassy of the Kingdom of the Netherlands in Korea, and the Mondriaan Fund.

Contributor Bios

Radha D’Souza is a Professor of International Law, Development and Conflict Studies at the University of Westminster (UK). D’Souza is a public intellectual from India where she worked as a trade union organiser in Mumbai and a democratic rights and environmental justice activist. She was a leading participant in the anti-globalisation movements and wrote the concept paper Workers in a Global World (1996) which became the basis for a Asia-wide campaign to oppose WTO proposals to link labour standards to trade agreements and forced the WTO to take the proposal off its agenda. She has written extensively across disciplines for academic and non-academic publications and platforms. Her book Interstate Disputes on Krishna Waters: Law, Science and Imperialism (2006) examines, for the first time, colonial laws and science as vectors for interstate water conflicts over generations in India. Her book What’s Wrong With Rights? Social Movements, Law and Liberal Imaginations (Pluto 2018) forms the conceptual basis for the CICC. 

Jonas Staal is a visual artist whose work deals with the relation between art, democracy, and propaganda. Exhibition-projects include We Demand a Million More Years (Fondazione Sandretto Re Rebaudengo, Turin, 2022), Extinction Wars (with Radha D’Souza, Gwangju Museum of Art, 2023) and Propaganda Station (Museum of Contemporary Art, Zagreb, 2024). His projects have been exhibited widely at venues such as the Cooper Hewitt Smithsonian Design Museum in New York, V&A in London, Stedelijk Museum in Amsterdam, M_HKA in Antwerp, Centre Pompidou-Metz and the Nam June Paik Art Center in Seoul, as well as the 7th Berlin Biennale, the 31st São Paulo Biennale, the 12th Taipei Biennale and the 14th Shanghai Biennale. Publications include Propaganda Art in the 21st Century (The MIT Press, 2019) and Climate Propagandas: Stories of Extinction and Regeneration (The MIT Press, 2024). Staal was the winner of the Prix de Rome Award in 2023.

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