Art & Explore the ideas behind our programme in depth and find out more from the artists we're working with. Ideas

Back to Earth: Sowing the seeds

Back to Earth: Sowing the seeds

How are artists developing campaigns for the Earth? How can an artwork reconnect us with the environment?

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Back to Earth: How do we get there?

Back to Earth: How do we get there?

How can the Serpentine contribute to discourse around the climate crisis in a meaningful way?

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Formafantasma. Andrea Trimarchi and Simone Farresin

Interview with Formafantasma

Formafantasma are designers who dissect the ecological and political responsibilities of their discipline.

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Cao Fei interview headshot

Interview with Cao Fei

This exhibition brings together new and existing works in an immersive, site-specific installation.

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FR web1

Faith Ringgold Playlist

Listen to the sound of Harlem with this special playlist created by Faith Ringgold and her daughter Michele Wallace.

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Patrick Staff headshot - still from interview

Interview with Patrick Staff

On Venus explores structural violence, registers of harm and the corrosive effects of acid, blood and hormones.

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Luchita Hurtado interview still

Interview with Luchita Hurtado

The exhibition reveals the scale, experimentation and playfulness of Hurtado's impressive oeuvre.

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Faith Ringgold interview

Interview with Faith Ringgold

"Anyone can fly. All you gotta do is try" The ground-breaking work of Faith Ringgold (b. 1930, Harlem, New York) is celebrated in this exhibition at the Serp...

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Laurence Totelin Plantsex

General Ecology: With Plants

Roots move towards water. Leaves grow towards the sun. Plants don’t have neurons… Does it matter?

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Serpentine Podcast

Bringing together the artists, writers and thinkers of our time to explore timely questions around technology, ecology and equality.

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Archive

Discover 50 years of the Serpentine

From the architecture pavilion and digital commissions to the ideas marathon and the General Ecology programme, explore 50 years of artists, projects and exhibitions.

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