In moments of change and transition what supports and keeps us afloat?
A raft is the most fragile vehicle of survival at sea or upon open water. Ancient as the formation of human language, its simplicity is still needed during urgent getaway or for crossing. From the Judaic/Islamic story of Noah’s Arc to the earth as a lonely life raft floating in space (during the awakening of the 20th century environmentalist movement), the symbol of the raft has often been that of the ultimate preserver of life.
Taking this symbol as the central starting point, artist and composer Rory Pilgrim develops RAFTS as the second chapter from a body of performance, film and sonic work exploring the climate crisis. In the midst of immense change brought by the global Covid 19 pandemic, Pilgrim’s commission explores connections between work, mental health, home and care in a time of crises and the ongoing recovery needed. At a moment where a desperate course of action is needed over ten years, RAFTS attempts to do this by looking at the interconnections between our livelihoods and the support structures that enable us to live. While such urgent action is needed like a car throttling back on its breaks, the project places emphasis on the role of transition. With Barking and Dagenham itself experiencing increasing changes of industry, job creation and from social housing to increased privatisation, the project seeks to understand how we can look to embodied experiences of transition to help understand and take action in our current predicament. With the climate crisis threatening increased displacement, homelessness and our support structures, the project will focus on collaborating with those who have experienced migration, homelessness and redundancy/unemployment or are unable to work.
Over the period of the commission, Pilgrim will establish relationships with different groups and individuals including those from Green Shoes Arts, LBBD Hostel Services, Barking Dagenham Youth Dance, alongside Project Well Being based in Boise, Idaho, USA. Utilising different forms of storytelling, dialogue, movement, music and creative writing, people will explore ‘rafts’ in their lives while also contemplating what ‘rafts’ could be needed to navigate the future, especially in times of change and uncertainty.
To mark the anniversary of the 1970 Equal Pay Act and the momentum for change created by the Dagenham Ford sewing machinists strike of 1968, Serpentine Galleries and the London Borough of Barking and Dagenham are partnering to develop a series of collaborative artist residencies and commissions that will examine the future and histories of work, called Radio Ballads.
The original Radio Ballads were produced by musicians Ewan MacColl and Peggy Seeger, working with radio producer Charlie Parker to make a series for the BBC, focussing on workers’ experiences and issues. The original series of eight one-hour Radio Ballads revolutionised radio documentary and were broadcast by the BBC from 1957–64. A combination of song, music, sound effect and recorded voice, each Radio Ballad presented a view on the working lives of British people.
The Radio Ballad‘s commissions will be shared publicly in London in the summer 2021. More information about these artworks and events will be shared as the projects unfold.
The commissioned artists: Sonia Boyce, Helen Cammock, Rory Pilgrim and Ilona Sagar.
Rory Pilgrim (Bristol, 1988) works in a wide range of media including songwriting, composing music, film, music video, text, drawing and live performances. Centred on emancipatory concerns, Pilgrim aims to challenge the nature of how we com